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In 2016, Erin Nicholls completed her Bachelor of Arts Degree at Griffith University, Australia, majoring in Art History. In December 2016 she took part in a group exhibition with RAW artists in Brisbane, which featured her "A Year in Japan" series.

Nicholls has always been led by her artistic nature‚ and has studied a number of creative subjects such as Ceramics‚ Metalsmithing & Fine Arts. Nicholls spent time in 2003 living in Florence, Italy, where she had lessons in the Old Masters' oil painting techniques from a Master Art Restorer.

She grew up in countryside Victoria and since leaving home at 18 she has travelled extensively, living in a number of different cities and countries, all the while developing her art whilst soaking up new cultures.  

Overtime Nicholls' style of art has moved from oil paintings to marker and pencil illustrations. Nicholls' works are realistic scenes created in her own unique style which is reminiscent of Studio Ghibli animation as well as traditional Japanese woodblock prints.

Artists Statement - 

"My 'A Year in Japan' series of 12 artworks captures everyday scenes in Japan in an attempt to portray the Japanese phrase 物の哀れ 'mono no aware' - the gentle sadness of things. This refers to the ephemeral, transitory nature of the world, which in turn evokes a greater appreciation for things which are quick to disappear, such as cherry blossoms. The scenes I portray are fleeting moments in time, where the figures, objects and light will only be in that exact state for a moment, never to be repeated. Furthering this concept, each piece also represents a different month of the year, highlighting the passage of time through the seasons. The works all feature a lone man with his back to the viewer, giving a glimpse into the life of a faceless stranger.

My current series 'A Night in Japan' continues from my first series, 'A Year in Japan', yet focuses on a single night in Tokyo. There is no longer a 'lone man', instead, a variety of people are shown, each going about their lives on this one night which binds them together. My influence for this series is also drawn from the film Blade Runner, a film loved for it's dystopian, 'Neo Tokyo' nighttime scenes."